“Mile End (reflects) a growing discomfort between Londoners and their financial emperors... P.s. the music by Ed Scolding is absolutely brilliant…”

“Highly sophisticated and imaginative sound design with intense but under-stated music... extraordinarily effective in bringing the drama to life”

“The score, by Ed Scolding, moves from harmony to discord, adding considerably to the tension and sense of foreboding. Elsewhere, percussive elements draw us in to Paul’s obsession and anxiety.”

“Completely understood what I am trying to achieve!”

“Ed Scolding provides an accomplished score, with a desolate sounding fiddle capturing the fragility of the little boy’s situation”

“An eerie waltz... is playing in the background... the film hits exactly the right note: dark and silly and disturbing all at once”

“The actors’ performance is matched by the score, which deftly conveys all that remains unspoken and sets the perfect mood for this twisted tale.”

“Anna Valdez-Hank’s pristine camerawork, Ed Scolding’s subtle atmospheric score and the enigmatic character called John… keep things ticking over tensely during the film’s 101 minute running time.”